An article found in its natural environment, http://geekmehard.blogspot.com
A top staff again since having been exiled a year abroad, I missed many of the films and have seen nothing of French in the lot ...
My apologies for my presence of Avatar in the top of last year, we all make mistakes (as long as somebody recognizes). Unfortunately I got caught off guard by the time and have not had time to do a full top, suddenly you start with the first 5 and then we'll finish next time.
1 - The Social Network (David Fincher) Now we have seen is to the obvious and palpable. But at the time, announce a film about Facebook, it was like to bring forward the start of construction of a film about Monopoly (planned in Tree Hill) we saw little utility. Except with screenwriter Aaron Sorkin (The West Wing ) and David Fincher at the helm of the project, hard not to monitor the matter closely. Half
only surprise, the result is brilliant.
Where we follow Mark Zuckerberg, antisocial geek, plotting revenge against the world. Enhanced by the staging of David Fincher discreet, the website is growing as that fratricidal duels and taken power sneaky punctuate the hidden history of Facebook. Amazed by a model which would be equal (Justin Timberlake, perfect creator of Napster), Mark Zuckerberg continues to crush his opponents and social relations, plunges headlong into the code and continues to conquer the world, galvanized by Site numbers and the trials that fall, he treats with contempt enjoyable.
The film deploys a really incredible amount of information, and the flashbacks in the narrative does not make life easy but the film is still readable and understandable despite his pace. The Social Network is an unstoppable success in terms of storytelling, editing and cutting, covered by scary music of Trent Reznor and Atticus Ross. David Fincher has recreated the time and managed to make the film more contemporary, a perfect reflection of our times.
By creating a social network made in his image, Zuckerberg has paradoxically isolated individuals from one another, absorbed by a site almighty knowing all across the world. And hindsight is elected, with a few years late, Person of the Year by Time magazine.
2 - Inception (Christopher Nolan) The gap continues to widen between genuine love of the movie crying and dissidents to farce, but it is clear that the film Christopher Nolan talked about in the large widths. With its dizzying
scenario with multiple plans interfere with each other, his staging Dante (sometimes muddled in conflict management), and actors including Tom Hardy forks and Joseph Gordon-Levitt, Inception s' is proposed from the start as a blockbuster able to gather critical and public. Designed as a total experience through plans to reality until far into the dreams and borrowed the concept of limbo to Christianity, Nolan enlisted the services of a world very competent package and creates a story of hackers memory on mission for a last big . Easy, behind it, to get away.
Implicitly, there are the martial score by Hans Zimmer and James Newton Howard; precipitation in the adventures and sometimes unspoken air of inconsistencies embedded in the information ... ultimately, it is more the omnipotence of Nolan (also his megalomania) on the project and the way he hammered us truths that hinder, and can be let go after a 50-minute final scene thwarting the expectations of the viewer.
3 - Scott Pilgrim vs.. The World (Edgar Wright)
We've already talked a lot this year, criticism of the film pretty Edgar Wright is in Wide Screen . The story of Scott Pilgrim, Ramona wanker rocker enamored of Flowers, has unfortunately not found its way to the public, but at least it into our hearts (which is a start). Ultimate
border between cinema and video games, the film confuses continually weaves plot clear and perfectly framed despite its concepts dicey, and sees himself more with the best soundtrack for a moment since, Beck assistant testing a little left of the group Sex Bomb-Omb, with Scott as the leader.
scenario with multiple plans interfere with each other, his staging Dante (sometimes muddled in conflict management), and actors including Tom Hardy forks and Joseph Gordon-Levitt, Inception s' is proposed from the start as a blockbuster able to gather critical and public. Designed as a total experience through plans to reality until far into the dreams and borrowed the concept of limbo to Christianity, Nolan enlisted the services of a world very competent package and creates a story of hackers memory on mission for a last big . Easy, behind it, to get away.
Implicitly, there are the martial score by Hans Zimmer and James Newton Howard; precipitation in the adventures and sometimes unspoken air of inconsistencies embedded in the information ... ultimately, it is more the omnipotence of Nolan (also his megalomania) on the project and the way he hammered us truths that hinder, and can be let go after a 50-minute final scene thwarting the expectations of the viewer.
3 - Scott Pilgrim vs.. The World (Edgar Wright) We've already talked a lot this year, criticism of the film pretty Edgar Wright is in Wide Screen . The story of Scott Pilgrim, Ramona wanker rocker enamored of Flowers, has unfortunately not found its way to the public, but at least it into our hearts (which is a start). Ultimate
border between cinema and video games, the film confuses continually weaves plot clear and perfectly framed despite its concepts dicey, and sees himself more with the best soundtrack for a moment since, Beck assistant testing a little left of the group Sex Bomb-Omb, with Scott as the leader.
Track Reading: Youth in Revolt to see echoed Scott Pilgrim where Michael Cera plays his role as troubled teen forever. Pros: an alter-ego sociopath French, Portia Doubleday in Lolita, not comfortable supporting roles (Ray Liotta, Steve Buscemi, Zach Galifianakis) and a pinch of arrogance and amorality in total contradiction with the charming idea that we can take the kid ..
4 - Shutter Island (Martin Scorsese) Scorsese The new is not flawless but its rigorous use of seasoned actors allows him to create the event with considerable ease . Adapted from the novel by Dennis Lehane, Shutter Island send two police officers in a mental trap, a prison where isolated tracks resolutions abound. Interspersed with flashbacks of a beauty out of proportion (painful memories colorimetry almost saturated), this heart-wrenching, real movie, and ends abruptly, clinically, and left knees.
Special mention to Mark Ruffalo a bit histrionic, Ben Kingsley and Michelle Williams, whom they believed she would never return.
Initiating an ordeal that eventually returning "from beyond the grave" in Inception , Leonardo DiCaprio definitely needed as the tragic figure of this year in the cinema.
5 - Bad Lieutenant - Port of Call: New Orleans (Werner Herzog) After years of playing the movies without apparently flabbergasted no producer told him to stop, Nicolas Cage has finally found someone that could counterbalance this craziness and this excess rising in him. The German director Werner Herzog, director of Fitzcarraldo and a bunch of films deviant resumed name film by Abel Ferrara, who claims he wants to hear it has not seen and undertakes to 'do not a remake but a reinterpretation, with little excuse, Eva Mendes, Val Kilmer (burned out), Michael Shannon (everywhere and always great) and turned Nic Cage.
In New Orleans trying to get back on their feet, good detective work to solve some surveys, will tax the drug dealers, scheming with others and find some solace in the arms of a prostitute. What happens there is sometimes anecdotal, but the composition for the perfect shot of Nicolas Cage is a revelation, a relief. It mixes the blues (literally), hallucinatory visions and seeking redemption in the sweaty bayous one feels close.
The view of animals, unreported, is surreal and sudden implacable logic when you start in place of character, in perpetual sync with what is happening around him. With its heady blues smothered, the sequences are singing a tune Funeral murky and moist, relays of police who do not know where he argues.
In New Orleans trying to get back on their feet, good detective work to solve some surveys, will tax the drug dealers, scheming with others and find some solace in the arms of a prostitute. What happens there is sometimes anecdotal, but the composition for the perfect shot of Nicolas Cage is a revelation, a relief. It mixes the blues (literally), hallucinatory visions and seeking redemption in the sweaty bayous one feels close.
The view of animals, unreported, is surreal and sudden implacable logic when you start in place of character, in perpetual sync with what is happening around him. With its heady blues smothered, the sequences are singing a tune Funeral murky and moist, relays of police who do not know where he argues.
You can find here the Russian version of the poster , which sells a completely different movie ...
soon for more!
