Friday, February 18, 2011
Wednesday, February 16, 2011
Invitation For Father's Death Anniversary
Black Swan, Darren Aronofsky: Swans of wealth
An article found in its natural environment, http://geekmehard.blogspot.com 
An article found in its natural environment, http://geekmehard.blogspot.com
Two years after The Wrestler, Darren Aronofsky resurfaced. Far from succumbing to the temptation of the blockbuster (the heretic remake of Robocop , blocked for some time now), the film plunges back into a whole project for which no one denies him nothing, taking up an already proven formula, set with some gems in size ... And following the story of a young ballerina, a member of a prominent gang in New York, the director finds a subject in gold.
It is strange to see Natalie Portman and revealed, as if we discovered when we finally had always known her, on film or in magazines . Our generation has always known and estimated, Leon in 1994 to V for Vendetta in 2006, through its role fairly transparent Princess Amidala in the Star Wars trilogy . For it is true that young woman will rarely shown in film, despite an undeniable presence and charisma. Closer was quickly forgotten, and My Blueberry Nights , despite its role, gave him little consistency against Norah Jones and especially Rachel Weisz. Insiders were quick to find it as intriguing as it is seductive in Hotel Chevalier, the short film The Darjeeling Limited opening Wes Anderson.
The moment of ultimate bluff, it was in Cold Mountain and its 15 minutes of screen presence where Natalie was named the Oscar for Best Actress in a Supporting Role. With Black Swan , the beautiful Natalie earns his stripes authentic actress, hard earned. For a role she now considers "harmful", how many actresses would have missed the turn, the maneuver correctly script sometimes cryptic, incomprehensible twists and easily. She comes out with the honors, which had never been doubted. should see her bruised body, strangled, suffocated, entirely devoted to the cause of his role. By Nina Sayers, Natalie Portman fills the screen.
Soon, Darren Aronofsky does not hide his grief with his ballet in crisis, it will do dive far his characters to a point of no return especially distressing. Under the infinite sweetness of representations lies a hell of preparation, physical and moral pressure unmanageable without a temper of iron, a rare combativeness. Beyond the mere physical preparation, as cruel qu'astreignante, body lurks a darker side, the competition and dirty tricks, temptations and the values held.
In this discharge energy and unspoken staged, however, one regret: that systematizing the handheld camera to be closer to these slices of life, sacrificing readability Aronofsky choreography ultra millimeter, where the error has no open field. Some rare footage shot from a fixed to measure the beauty and investment it takes for these women to succeed.
Besides Natalie Portman breaks a cast of talent undeniable: Wynona Ryder, believed forever young in the corner of our memories tenuous, reminds us of the harsh reality the years go by. Mila Kunis, recently rediscovered on the big screen (Forgetting Sarah Marshall , The Book of Eli - critical ), plays what she knows how to play better: the temptress, the ideal of insurance and femininity, well aware of its charms. As for Vincent Cassel, more comfortable than Cronenberg, he composed an ambiguous role of choreographer adding fragrance disorder that bathes the movie, drowning more lead actress already stifled by a possessive mother, living his dream by proxy ( Barbara Hershey, more and more disturbing).
Aronofsky repeats the feat in a clandestine manner and decrypts an environment hidden, ultra-exclusive, captivating and hard: for its ballet and bruised his heroine, he offers a portrait of beautiful woman, too devoted to his art err, too human to succeed.
8 / 10
Tuesday, February 8, 2011
How To Deinstall A Kidde Carbon Monoxide Detector
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