This Wednesday (day drive). Programming Montreal allowed me to see ahead Bright Star , I repeat here the short chronicle written at the time for me to stall on French news.
Presented at Cannes, Bright Star is the latest film by Jane Campion, celebrated for his portraits of women in film for many years. Still haunted by the memory tenuous Pride and Prejudice by Joe Wright, is devoid of any prejudices that I started in this new autopsy of an England gone, which, if only to renew itself, is still pleasure to find. Because if we can blame something these films are trying to time, found there is generally very fast series of codes, between love uneasy, to climb the social ladder and tragedies faced. However, Pride and Prejudice managed to climb out of the lot by the original terms of its director, directing actors crossing refreshing, subtle editing and most importantly, inspired achievement. Here Bright Star attaches with a lot more academic to follow the young Fanny Brawne, maintaining a relationship with a poet in England in the nineteenth century: a starting position not as fun, knowing the conditions in which can save for such characters to survive in the midst of tragedy.
short, depending on the mood of each film can be approached differently, but soon displayed a trend: they can quickly look to the movie excessively torturing his characters (and the film provided a lot of scenes out time so foolish that we can easily choose this option), or otherwise adhere to the customs of the day (a label restrictive possible) and s'énamourer of folklore lost forever, his eyes wet.
is finally reunited in the tractable over time as Jane Campion succeeds to move us in a rough authenticity with its cast necessary minimum locked in a house he passed the seasons. Between managers and attempted forced to close dreams, the film crosses the daily heavy stigma of an English family is delighted that a few moments of happy disposition, and installation of beautiful passing shots. In the end, we could find the original project lies in the fact that the poet in our history is being John Keats and that far from resting on a biography well-behaved, Jane Campion takes advantage of dwell almost exclusively on events that will cross the young woman in love with it. As a guideline the framing story, the poet's life serves as a basis for benchmarks and the filmmaker weaves around the story of Fanny Brawne (perfect Abbie Cornish), lovesick and muse of a lifetime. A nice movie
codes heard, but perfect in its transcript of a love touching, ending in a final plan perfect.
Bonus:
- A humble essay on Pride and Prejudice , film companion to some England.
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